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Volakis Gallery

421 Walnut Street, Suite 180
Napa CA 94559
707-320-8796
contemporary photography, painting & sculpture

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Volakis Gallery

  • Latitude 66 - Arctic Expedition
  • Artists
  • Exhibitions
  • Art Fairs
  • Welcome
  • Info
  • Shop
  • Contact
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Brian Oglesbee

WATER SERIES

Convinced that photography's power comes from it's unparalleled ability to describe what's visible in front of the camera, I try to provide subjects or combinations of light and substance which test that power. My photographs are very "straight”, in other words the camera simply records what was in front of it -- one standing at the lens would see what the camera “saw”. There is no manipulation after the initial single exposure of the negative either in the darkroom or with computers, etc.

 WATER

The Water Series began about ten years ago. Working in the studio with a 4x5 camera, my initial concern was to see if I could combine water with the human figure in naturally convincing tableaux. To my surprise the variations made possible by mixing two such mythic symbols led from picture to picture until now the Water Series consists of over one-hundred images.

Optically dynamic, water is transparent, reflective and refractive. It "mirrors" and "lenses". In a sense we don't actually "see" water. We see what water does to what is in it, under it or reflected by it. Liquid water moves and its motion relative to the viewer and the light dictates what it does visually. Along the way I learned that the geometry, or shape, of the surface of the water was the most critical aspect visually.This led to building sets and devices which allow other-worldly visual environments with wave forms, splashes and fields of lensing bubbles.

 

Brian Oglesbee

WATER SERIES

Convinced that photography's power comes from it's unparalleled ability to describe what's visible in front of the camera, I try to provide subjects or combinations of light and substance which test that power. My photographs are very "straight”, in other words the camera simply records what was in front of it -- one standing at the lens would see what the camera “saw”. There is no manipulation after the initial single exposure of the negative either in the darkroom or with computers, etc.

 WATER

The Water Series began about ten years ago. Working in the studio with a 4x5 camera, my initial concern was to see if I could combine water with the human figure in naturally convincing tableaux. To my surprise the variations made possible by mixing two such mythic symbols led from picture to picture until now the Water Series consists of over one-hundred images.

Optically dynamic, water is transparent, reflective and refractive. It "mirrors" and "lenses". In a sense we don't actually "see" water. We see what water does to what is in it, under it or reflected by it. Liquid water moves and its motion relative to the viewer and the light dictates what it does visually. Along the way I learned that the geometry, or shape, of the surface of the water was the most critical aspect visually.This led to building sets and devices which allow other-worldly visual environments with wave forms, splashes and fields of lensing bubbles.

 

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Water Series #5

Water Series #5

20x24  edition of 15

24x30 edition of 10

30x40 edition of 5

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20x24 silver gelatin

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